A woman with a cut and partially reconstructed limb. A desert. A man who has a harem of pregnant women. We are not talking about Mad Max Fury Road, but the second feature of Ana Lily Amirpour, and unfortunately the two films go through completely different ways. If Miller’s film went broke in, the Amirpour chose the opposite way, anesthetizing the rhythm and leaving the dialogs well below the minimum needed for at least half of the projection.
The greatest mistake the writer writes in scriptwriting: trusting overly in his director’s quality he writes very few dialogues, leaving the pictures to explain.